The Paris Review... Early Chapters
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Format
eVideo
Physical Desc
1 online resource (streaming video file) : digital, sound, color
Status
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Language
und
Notes
General Note
Title from title frames.
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Checkerboard Film Foundation in 2001.
Description
In the summer of 1953, an expatriated trio of young Americans -- Peter Matthiessen, Harold "Doc" Humes and George Plimpton -- founded the international literary quarterly, The Paris Review. Designed to welcome "the good writers and good poets, the non-drumbeaters and non-axe-grinders," as then 28-year old novelist William Stryon wrote in an inaugural essay, the Review has continued in this ecumenical spirit ever since. This documentary, on what has become one of the 20th century's most influential and enduring avant garde literary institutions, is based on extensive interviews with founders Plimpton, Matthiessen, Styron, Donald Hall, and others, as well as early contributors Mary Lee Settle, James Salter, and Harry Mathews, whose careers began in the pages of this journal. Shot by award-winning cinematographer Albert Maysles, and directed by Paula Heredia, The Paris Review ...Early Chapters revisits a time of extraordinary creative energy and fun. Guided by the commanding, witty, mischievous presence of George Plimpton, we roam the streets and cafes of Paris, glimpse the expatriate literati world of the 1950s and 60s, and step into the bustling New York offices of the Review, meeting people, past and present, who remain central to this singular literary endeavor.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Maysles, A. (2015). The Paris Review... Early Chapters . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Maysles, Albert. 2015. The Paris Review... Early Chapters. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Maysles, Albert. The Paris Review... Early Chapters Kanopy Streaming, 2015.
MLA Citation, 9th Edition (style guide)Maysles, Albert. The Paris Review... Early Chapters Kanopy Streaming, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
aba15886-1ba1-dedb-4205-610f694aa773-und
Grouping Information
Grouped Work ID | aba15886-1ba1-dedb-4205-610f694aa773-und |
---|---|
Full title | paris review early chapters |
Author | kanopy |
Grouping Category | movie |
Last Update | 2024-03-08 11:24:07AM |
Last Indexed | 2024-05-21 04:12:44AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Jun 20, 2022 |
Last Used | Oct 2, 2023 |
Marc Record
First Detected | Sep 22, 2021 09:42:13 AM |
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Last File Modification Time | Mar 08, 2024 11:25:31 AM |
MARC Record
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520 | |a In the summer of 1953, an expatriated trio of young Americans -- Peter Matthiessen, Harold "Doc" Humes and George Plimpton -- founded the international literary quarterly, The Paris Review. Designed to welcome "the good writers and good poets, the non-drumbeaters and non-axe-grinders," as then 28-year old novelist William Stryon wrote in an inaugural essay, the Review has continued in this ecumenical spirit ever since. This documentary, on what has become one of the 20th century's most influential and enduring avant garde literary institutions, is based on extensive interviews with founders Plimpton, Matthiessen, Styron, Donald Hall, and others, as well as early contributors Mary Lee Settle, James Salter, and Harry Mathews, whose careers began in the pages of this journal. Shot by award-winning cinematographer Albert Maysles, and directed by Paula Heredia, The Paris Review ...Early Chapters revisits a time of extraordinary creative energy and fun. Guided by the commanding, witty, mischievous presence of George Plimpton, we roam the streets and cafes of Paris, glimpse the expatriate literati world of the 1950s and 60s, and step into the bustling New York offices of the Review, meeting people, past and present, who remain central to this singular literary endeavor. | ||
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