Screening Room with Hollis Frampton
(eVideo)

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Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Format
eVideo
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1 online resource (streaming video file)
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Undetermined

Notes

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Title from title frames.
General Note
In Process Record.
Participants/Performers
Features: Hollis Frampton
Date/Time and Place of Event
Originally produced by Documentary Educational Resources in 2006.
Description
A major ?gure in the American experimental ?lm movement of the 1960s and '70s and awidely published theorist, Hollis Frampton made such acclaimed and in?uential ?lms as Zorns Lemma, the Hapax Legomena series, and the un?nished Magellan. Retrospectives of his work have been shown at the Walker Art Center, the Museum of Modern Art, and elsewhere.The journal October twice devoted whole issues to Frampton, and the entire bodyof his ?lm work is preserved in the Royal Film Archive of Belgium. Frampton taught at Cooper Union, Hunter College, and the State University of New York at Buffalo. In January 1977, Hollis Frampton appeared on Screening Room to discuss his work and screen: "¢ Maxwell's Demon (excerpt, 3:34) "¢ Surface Tension (excerpt, 5:34) "¢ Lemon (full film with commentary, 4:44) "¢ Critical Mass (excerpt, 3:04) "¢ Pas De Trois (full film with commentary, 4:12) "¢ Scape Mates (full film, 1:59) "¢ "Lumier Bits" (became Magellan) (footage, 14:38) About the Screening Room series: In the early 1970s a group of idealistic artists, lawyers, doctors and teachers saw an opportunity to change commercial television in Boston and the surrounding area. It would require years of litigation up to and including the Supreme Court, but the case was won and the Channel 5 license was given to WCVB-TV. Screening Room was one of several programs offered in an effort to provide alternative television viewing. The idea behind Screening Room was to give independent filmmakers an opportunity to discuss their work and show it to a large urban audience. Nearly 100 ninety-minute programs were produced and aired between 1973 and 1980. Screening Room was developed and hosted by filmmaker Robert Gardner, who at the time, was Director of Harvard's Visual Arts Center and Chairman of its Visual and Environmental Studies Department. His own films include Dead Birds (1964), and Forest of Bliss (1986).
System Details
Mode of access: World Wide Web.

Citations

APA Citation, 7th Edition (style guide)

(2015). Screening Room with Hollis Frampton . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

2015. Screening Room With Hollis Frampton. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Screening Room With Hollis Frampton Kanopy Streaming, 2015.

MLA Citation, 9th Edition (style guide)

Screening Room With Hollis Frampton Kanopy Streaming, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID
29eb31fc-7704-adcf-1546-0c1ae446fa80-und
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Grouping Information

Grouped Work ID29eb31fc-7704-adcf-1546-0c1ae446fa80-und
Full titlescreening room with hollis frampton
Authorkanopy
Grouping Categorymovie
Last Update2024-03-08 11:24:07AM
Last Indexed2024-06-26 02:45:21AM

Book Cover Information

Image Sourcesideload
First LoadedMar 11, 2023
Last UsedJun 17, 2024

Marc Record

First DetectedSep 22, 2021 09:40:17 AM
Last File Modification TimeMar 08, 2024 11:24:30 AM

MARC Record

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5110 |a Features: Hollis Frampton
518 |a Originally produced by Documentary Educational Resources in 2006.
520 |a A major ?gure in the American experimental ?lm movement of the 1960s and '70s and awidely published theorist, Hollis Frampton made such acclaimed and in?uential ?lms as Zorns Lemma, the Hapax Legomena series, and the un?nished Magellan. Retrospectives of his work have been shown at the Walker Art Center, the Museum of Modern Art, and elsewhere.The journal October twice devoted whole issues to Frampton, and the entire bodyof his ?lm work is preserved in the Royal Film Archive of Belgium. Frampton taught at Cooper Union, Hunter College, and the State University of New York at Buffalo. In January 1977, Hollis Frampton appeared on Screening Room to discuss his work and screen: "¢ Maxwell's Demon (excerpt, 3:34) "¢ Surface Tension (excerpt, 5:34) "¢ Lemon (full film with commentary, 4:44) "¢ Critical Mass (excerpt, 3:04) "¢ Pas De Trois (full film with commentary, 4:12) "¢ Scape Mates (full film, 1:59) "¢ "Lumier Bits" (became Magellan) (footage, 14:38) About the Screening Room series: In the early 1970s a group of idealistic artists, lawyers, doctors and teachers saw an opportunity to change commercial television in Boston and the surrounding area. It would require years of litigation up to and including the Supreme Court, but the case was won and the Channel 5 license was given to WCVB-TV. Screening Room was one of several programs offered in an effort to provide alternative television viewing. The idea behind Screening Room was to give independent filmmakers an opportunity to discuss their work and show it to a large urban audience. Nearly 100 ninety-minute programs were produced and aired between 1973 and 1980. Screening Room was developed and hosted by filmmaker Robert Gardner, who at the time, was Director of Harvard's Visual Arts Center and Chairman of its Visual and Environmental Studies Department. His own films include Dead Birds (1964), and Forest of Bliss (1986).
538 |a Mode of access: World Wide Web.
653 |a Experimental/Alternative Media
653 |a Film Studies
7102 |a Kanopy (Firm)
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