Screening Room with Emile de Antonio
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Format
eVideo
Physical Desc
1 online resource (streaming video file)
Status
Description
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More Details
Language
Undetermined
Notes
General Note
Title from title frames.
General Note
In Process Record.
Participants/Performers
Features: Emile de Antonio
Date/Time and Place of Event
Originally produced by Documentary Educational Resources in 2005.
Description
Emile de Antonio (1919-1989), one of America's most influential political and avant-garde filmmakers, started making documentary films in the mid-1960s, and all his work had wide success in theatrical release. His often-controversial work focuses on the United States during the Cold War and sharply criticizes American institutions and government officials. Films on Joseph McCarthy, Richard Nixon, and the conduct of the Vietnam War led to de Antonio's becoming the object of FBI surveillance. De Antonio was also involved with the New York art world of the 1960s, which he documented in Painters Painting. Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in June 1973 to screen and discuss excerpts from his films Point of Order, Rush to Judgement, In the Year of the Pig and Millhouse: A White Comedy. About the Screening Room series In the early 1970s a group of idealistic artists, lawyers, doctors and teachers saw an opportunity to change commercial television in Boston and the surrounding area. It would require years of litigation up to and including the Supreme Court, but the case was won and the Channel 5 license was given to WCVB-TV. Screening Room was one of several programs offered in an effort to provide alternative television viewing. The idea behind Screening Room was to give independent filmmakers an opportunity to discuss their work and show it to a large urban audience. Nearly 100 ninety-minute programs were produced and aired between 1973 and 1980. Screening Room was developed and hosted by filmmaker Robert Gardner, who at the time, was Director of Harvard's Visual Arts Center and Chairman of its Visual and Environmental Studies Department. His own films include Dead Birds (1964), and Forest of Bliss (1986).
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2015). Screening Room with Emile de Antonio . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2015. Screening Room With Emile De Antonio. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Screening Room With Emile De Antonio Kanopy Streaming, 2015.
MLA Citation, 9th Edition (style guide)Screening Room With Emile De Antonio Kanopy Streaming, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
402c47d9-790f-a152-c39c-b2a685df09da-und
Grouping Information
Grouped Work ID | 402c47d9-790f-a152-c39c-b2a685df09da-und |
---|---|
Full title | screening room with emile de antonio |
Author | kanopy |
Grouping Category | movie |
Last Update | 2024-03-08 11:24:07AM |
Last Indexed | 2024-06-26 03:04:15AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Aug 20, 2022 |
Last Used | Aug 20, 2022 |
Marc Record
First Detected | Sep 22, 2021 09:40:17 AM |
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Last File Modification Time | Mar 08, 2024 11:24:43 AM |
MARC Record
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300 | |a 1 online resource (streaming video file) | ||
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338 | |a online resource|b cr|2 rdacarrier | ||
500 | |a Title from title frames. | ||
500 | |a In Process Record. | ||
511 | 0 | |a Features: Emile de Antonio | |
518 | |a Originally produced by Documentary Educational Resources in 2005. | ||
520 | |a Emile de Antonio (1919-1989), one of America's most influential political and avant-garde filmmakers, started making documentary films in the mid-1960s, and all his work had wide success in theatrical release. His often-controversial work focuses on the United States during the Cold War and sharply criticizes American institutions and government officials. Films on Joseph McCarthy, Richard Nixon, and the conduct of the Vietnam War led to de Antonio's becoming the object of FBI surveillance. De Antonio was also involved with the New York art world of the 1960s, which he documented in Painters Painting. Along with visual anthropologist Edmund Carpenter, Emile de Antonio appeared on Screening Room in June 1973 to screen and discuss excerpts from his films Point of Order, Rush to Judgement, In the Year of the Pig and Millhouse: A White Comedy. About the Screening Room series In the early 1970s a group of idealistic artists, lawyers, doctors and teachers saw an opportunity to change commercial television in Boston and the surrounding area. It would require years of litigation up to and including the Supreme Court, but the case was won and the Channel 5 license was given to WCVB-TV. Screening Room was one of several programs offered in an effort to provide alternative television viewing. The idea behind Screening Room was to give independent filmmakers an opportunity to discuss their work and show it to a large urban audience. Nearly 100 ninety-minute programs were produced and aired between 1973 and 1980. Screening Room was developed and hosted by filmmaker Robert Gardner, who at the time, was Director of Harvard's Visual Arts Center and Chairman of its Visual and Environmental Studies Department. His own films include Dead Birds (1964), and Forest of Bliss (1986). | ||
538 | |a Mode of access: World Wide Web. | ||
653 | |a Experimental/Alternative Media | ||
653 | |a Film Studies | ||
653 | |a North American Studies | ||
653 | |a Politics and International Affairs | ||
710 | 2 | |a Kanopy (Firm) | |
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856 | 4 | 2 | |z Cover Image|u https://www.kanopy.com/node/49029/external-image |