The Saatchi Gallery 100.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
eVideo
Physical Desc
1 online resource (1 video file, approximately 53 min., 22 sec.) : digital, .flv file, sound
Status
Description
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More Details
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2004.
Description
Art that was "headbuttingly impossible to ignore" is how Charles Saatchi describes the work that intrigued him as he started to collect British art in the early 1990s. Damien Hirst's giant shark in formaldehyde, Tracey Emin's unmade bed and a chilling portrait of Myra Hindley by Marcus Harvey are among the artworks that have since become icons of the decade. The Saatchi Gallery, now in the former County Hall in London, is a permanent home for a changing selection of Saatchi's world-famous collection. The Saatchi Gallery 100 is a fast-paced and fascinating film featuring one hundred of these artworks, accompanied by reflections and anecdotes from the artists themselves. Sarah Lucas' confrontational self-portraits are among the highlights, as are the bold paintings of Gary Hume, photographs by Richard Billingham, sculptures of genetically mutated children by Jake and Dinos Chapman, and many more. Like the collection itself, the film offers a unique understanding of why London has become the centre of the international art world over the past decade - and how art in Britain continues to surprise and challenge and delight.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The Saatchi Gallery 100 . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Saatchi Gallery 100. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Saatchi Gallery 100 Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Saatchi Gallery 100 Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
e264f493-50b9-d7c6-8794-ef0d8021dd75-eng
Grouping Information
| Grouped Work ID | e264f493-50b9-d7c6-8794-ef0d8021dd75-eng |
|---|---|
| Full title | saatchi gallery 100 |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2023-08-01 09:56:22AM |
| Last Indexed | 2024-04-17 04:33:21AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Jul 3, 2023 |
| Last Used | May 1, 2024 |
Marc Record
| First Detected | Sep 22, 2021 09:40:12 AM |
|---|---|
| Last File Modification Time | Sep 20, 2022 10:41:19 AM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 518 | |a Originally produced by Illuminations Media in 2004. | ||
| 520 | |a Art that was "headbuttingly impossible to ignore" is how Charles Saatchi describes the work that intrigued him as he started to collect British art in the early 1990s. Damien Hirst's giant shark in formaldehyde, Tracey Emin's unmade bed and a chilling portrait of Myra Hindley by Marcus Harvey are among the artworks that have since become icons of the decade. The Saatchi Gallery, now in the former County Hall in London, is a permanent home for a changing selection of Saatchi's world-famous collection. The Saatchi Gallery 100 is a fast-paced and fascinating film featuring one hundred of these artworks, accompanied by reflections and anecdotes from the artists themselves. Sarah Lucas' confrontational self-portraits are among the highlights, as are the bold paintings of Gary Hume, photographs by Richard Billingham, sculptures of genetically mutated children by Jake and Dinos Chapman, and many more. Like the collection itself, the film offers a unique understanding of why London has become the centre of the international art world over the past decade - and how art in Britain continues to surprise and challenge and delight. | ||
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