Catalog Search Results
Publisher
The Great Courses
Description
Jump-start your creativity with a selection of fun exercises, including “What-If Moments” and “The First-Line Game.” Mr. Bell cites best-selling authors such as Alice Sebold and Mickey Spillane to demonstrate the importance of creating unique elements: a twist, a character, a setting, a relationship. Find out how to create the ever-important elevator pitch.
Publisher
The Great Courses
Pub. Date
2015.
Description
Marketing your book is a huge part of becoming a best-seller, and much of the onus of marketing will fall on you. Learn about how you’ll be expected to provide support in order to help publicize your book, such as hosting author events, creating a presence on social media, and reaching out to your connections..
Publisher
The Great Courses
Pub. Date
2016.
Description
After discussing the importance of presenting a reasonable essay, Professor Cognard-Black explores the world of unreasonable essays, often written for the sake of humor or irony, or to be provocative, such as Jonathan Swift’s “A Modest Proposal.” You’ll explore an example of an essay that showcases conflicting views yet remains reasonable, and then look at examples where unreasonable writers use pure demagoguery to play on readers’ emotions....
Publisher
The Great Courses
Pub. Date
2017.
Description
Can utopian literature have real-world impact? This question is integral to understanding the significance of Looking Backward by Edward Bellamy. Witness the ways Bellamy's socialist vision of the future had genuine influence on the social activists of Gilded Age America. Professor Bedore also introduces the idea of "euchronia."
Publisher
The Great Courses
Pub. Date
2016.
Description
Often a staple in mysteries, poetic justice is frequently used to help the reader feel a sense of satisfaction in the ending, especially in a genre where many mystery and suspense tales are simply uninterested in legal proceedings and aftermath. Professor Schmid defines poetic justice, discusses why there is so much of it in the genre, and outlines the many reasons why we find it satisfying.
Publisher
The Great Courses
Pub. Date
2016.
Description
Spend some time focusing on the modern forms of true crime, which Professor Schmid notes are integrally related to mystery and suspense fiction as the genre draws upon both fiction and nonfiction techniques to achieve its effects. He also demonstrates how true crime stories were disparaged as trivial and damaging yet overcame unscrupulous reputations to become mainstream successes.
Publisher
The Great Courses
Pub. Date
2017.
Description
Perhaps the most famous of the three defining dystopias of the early 20th century, George Orwell's Nineteen Eighty-Four has created a vocabulary of ideas we continue to use in political discourse today. Trace the ways Orwell uses language to shape his dystopic vision and the way it both reflects and distorts reality.
Publisher
The Great Courses
Pub. Date
2014.
Description
First-person narration can be one of the most natural ways to tell a story - but there are several important guidelines to keep in mind. Professor Hynes helps you navigate the different types of first-person storytellers, including the double consciousness, the unreliable narrator, and the retrospective narrator.
Publisher
The Great Courses
Pub. Date
2017.
Description
Cinderella stories go back 7000 years, and Mah Pishani is possibly one of the oldest. This Iranian story provides a very different take on the same themes you've become familiar with. Unlike the bickering evil step-sisters, this version is about finding connection with family and community - in particular among women - and about love that stretches beyond the grave.
Publisher
The Great Courses
Pub. Date
2017.
Description
Focusing on Trouble on Triton, explore the ways Delany introduces readers to ambiguous heterotopia through a society where your identity (such as sex, race, religion, and sexual preference) can easily be changed. Investigate whether this abundance of individual freedom results in utopia or dystopia.
Publisher
The Great Courses
Pub. Date
2020.
Description
Mr. Bell provides an overview of the most common blunders that could knock you out of the running for publication before you even get started, including awkward flashbacks and fluffy dialogue. Using examples from best-selling writers including Sarah Pekkanen, Mark Twain, and Toni Morrison, he re-evaluates some of the most common writing advice, busting common misconceptions and myths.
Publisher
The Great Courses
Pub. Date
2017.
Description
Look at the portrayal of community, choice, and rules to determine when the sacrifices being made cross the threshold between a completely perfect society and a complete lack of freedom. As the genre starts to tackle "big" questions of philosophy around individual free will, the line blurs and we are left with dystopias that are dressed up to look like utopias.
Publisher
The Great Courses
Pub. Date
2017.
Description
Why do we love toppling giants? Stories such as David and Goliath resonate, giving us hope that we can overcome seemingly insurmountable odds. Dr. Harvey shares two stories: "The Legend of the Chocolate Hills" from the Philippines, and "The Little Tailor," adapted from the 1857 version by the brothers Grimm, which itself was adapted from a 1557 story called "Der Wegkurtzer" by Martinus Montanus.
Publisher
The Great Courses
Pub. Date
2014.
Description
Turn from the mechanics of dialogue to discover how it can be used to evoke character or advance the story. After surveying how dialect is a powerful tool, if used carefully, Professor Hynes shows you how writers smoothly weave exposition into dialogue, and he considers the significance of what is not said in an exchange.
Publisher
The Great Courses
Pub. Date
2016.
Description
Building upon the insights revealed in the previous lecture, you’ll examine mysteries that don’t use any violence and compare them to stories that are borderline gratuitous in the depiction or details of violent acts. You’ll also explore the rise of violence in mysteries, starting with a peak period in the wartime 1940s through to the present and discuss the reasons why.
Publisher
The Great Courses
Pub. Date
2015.
Description
Examine the pros and cons to using literary agents, and learn how the responsibilities and obligations of literary agents have evolved. Learn about how to acquire one, what to expect from an agent, and what standard and non-standard practices you may encounter if you choose to go that route..
Publisher
The Great Courses
Pub. Date
2020.
Description
Using a proprietary system of his own invention, Mr. Bell introduces you to the foundational principles of a successful novel: LOCK (Lead, Objective, Confrontation, Knockout). He demonstrates how famous authors such as Stephen King, David Baldacci, and others utilize these fundamental elements. Plus, review the five types of endings and discover the pros and cons of each.
Publisher
The Great Courses
Pub. Date
2017.
Description
Does it seem like a lot of the most popular books for young adults lately have been dystopias? In this lecture, explore why teens are so drawn to dystopia, what current anxieties are being tracked in this large body of YA literature, and what the impact of this literature on young adult readers has been. You'll also discover why this subgenre is so popular with adults.
Publisher
The Great Courses
Pub. Date
2017.
Description
Dr. Harvey presents several stories, each of which explore the power of naming. Starting with classic story "Rumpelstiltskin" from Germany, collected by the Grimm brothers in 1857, you'll also hear an Egyptian creation myth, a Judeo-Christian creation myth, the Egyptian story of Ra and Isis, and "Peerie Fool" from the Orkney Islands, which pulls elements from Norse and Scottish folklore.
20) Detecting Clues
Publisher
The Great Courses
Pub. Date
2016.
Description
The clue is so imperative to the successful mystery story that there are few elements more subject to rules and regulations. Yet for all the requirements around how, when, and why to present clues, this narrative element is highly subjective. In this lecture, you’ll learn how clues are used to help, hinder, mislead, and solve mysteries, for both the characters and the audience.
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