Composing Japanese Musical Modernity
(eBook)

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Published
The University of Chicago Press, 2014.
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eBook
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Available Online

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Language
English
ISBN
9780226085494

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APA Citation, 7th Edition (style guide)

Bonnie C. Wade., & Bonnie C. Wade|AUTHOR. (2014). Composing Japanese Musical Modernity . The University of Chicago Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Bonnie C. Wade and Bonnie C. Wade|AUTHOR. 2014. Composing Japanese Musical Modernity. The University of Chicago Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Bonnie C. Wade and Bonnie C. Wade|AUTHOR. Composing Japanese Musical Modernity The University of Chicago Press, 2014.

MLA Citation, 9th Edition (style guide)

Bonnie C. Wade, and Bonnie C. Wade|AUTHOR. Composing Japanese Musical Modernity The University of Chicago Press, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8963bd5a-ebb7-1c8e-8837-1248684cd8e3-eng
Full titlecomposing japanese musical modernity
Authorwade bonnie c
Grouping Categorybook
Last Update2024-06-04 22:00:15PM
Last Indexed2024-06-26 04:02:14AM

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    [synopsis] => When we think of composers, we usually envision an isolated artist separate from the orchestra-someone alone in a study, surround by staff paper-and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed-composition and performance were deeply intertwined.  Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture.

 Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them-or that they forged-during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
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