Who's Sorry Now?
(eBook)

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Average Rating
Published
Sourcebooks, 2019.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781464211386

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Citations

APA Citation, 7th Edition (style guide)

Maggie Robinson., & Maggie Robinson|AUTHOR. (2019). Who's Sorry Now? . Sourcebooks.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Maggie Robinson and Maggie Robinson|AUTHOR. 2019. Who's Sorry Now?. Sourcebooks.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Maggie Robinson and Maggie Robinson|AUTHOR. Who's Sorry Now? Sourcebooks, 2019.

MLA Citation, 9th Edition (style guide)

Maggie Robinson, and Maggie Robinson|AUTHOR. Who's Sorry Now? Sourcebooks, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID46d4c7cb-3f2c-9e65-e3f7-ece9aaeb630e-eng
Full titlewhos sorry now
Authorrobinson maggie
Grouping Categorybook
Last Update2024-05-26 19:46:24PM
Last Indexed2024-05-26 19:47:05PM

Book Cover Information

Image Sourcehoopla
First LoadedMay 24, 2024
Last UsedMay 24, 2024

Hoopla Extract Information

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    [synopsis] => Venice, 1745, is an age of reckless pleasures, playful artifice, and baroque excess. An accident has reduced Tito Amato's glorious singing voice to a husky croak. But now the male soprano is determined to prove himself as a director. As the Teatro San Marco is losing subscribers to a rival company, the theater's Maestro Torani charges Tito with locating the perfect opera to fill the seats in time for Carnival.
	Surprisingly, a second-rate composer provides the very thing-an opera so replete with gorgeous melodies the public speculates it was written by the late Antonio Vivaldi. Even more disconcerting are the rumors swirling around Angeletto, a male soprano imported from Naples to sing the lead. Is the singer truly a castrato or a female soprano engaging in a daring but lucrative masquerade?
	Both matters turn dangerous when Maestro Torani is viciously attacked and killed. And Tito is the prime suspect. His own life as well as the future of Teatro San Marco now depend on his skills as a sleuth....
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