Selling Beauty: Cosmetics, Commerce, and French Society, 1750–1830
(eBook)

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Published
Johns Hopkins University Press, 2009.
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eBook
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Available Online

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Language
English
ISBN
9780801898792

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APA Citation, 7th Edition (style guide)

Morag Martin., & Morag Martin|AUTHOR. (2009). Selling Beauty: Cosmetics, Commerce, and French Society, 1750–1830 . Johns Hopkins University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Morag Martin and Morag Martin|AUTHOR. 2009. Selling Beauty: Cosmetics, Commerce, and French Society, 1750–1830. Johns Hopkins University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Morag Martin and Morag Martin|AUTHOR. Selling Beauty: Cosmetics, Commerce, and French Society, 1750–1830 Johns Hopkins University Press, 2009.

MLA Citation, 9th Edition (style guide)

Morag Martin, and Morag Martin|AUTHOR. Selling Beauty: Cosmetics, Commerce, and French Society, 1750–1830 Johns Hopkins University Press, 2009.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2ff8e9d2-bc4e-9bce-6fde-6cc8a98be81c-eng
Full titleselling beauty cosmetics commerce and french society 1750 1830
Authormartin morag
Grouping Categorybook
Last Update2024-05-16 02:01:45AM
Last Indexed2024-05-21 02:44:40AM

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    [synopsis] => An "enjoyable" history of the French cosmetic industry and the evolution of beauty standards and commercial culture during a revolutionary era (European History Quarterly).

As the French citizenry rebelled against the excesses of the aristocracy, there was a parallel shift in consumer beauty practices. Powdered wigs, alabaster white skin, and rouged cheeks disappeared in favor of a more natural and simple style.

Selling Beauty challenges expectations about past fashions and offers a unique look into consumer culture and business practices. Morag Martin introduces readers to the social and economic world of cosmetic production and consumption, recounts criticisms against the use of cosmetics from a variety of voices, and examines how producers and retailers responded to quickly evolving fashions.

Martin shows that the survival of the industry depended on its ability to find customers among the emerging working and middle classes. But the newfound popularity of cosmetics raised serious questions. Critics, from radical philosophes to medical professionals, complained that the use of cosmetics was a threat to social morals and questioned the healthfulness of products that contained arsenic, mercury, and lead. Cosmetic producers embraced these withering criticisms, though, skillfully addressing these concerns in their marketing campaigns, reassuring consumers of the moral and physical safety of their products.

Rather than disappearing along with the Old Regime, the commerce of cosmetics, reimagined and redefined, flourished in the early nineteenth century, as political ideals and Enlightenment philosophies radically altered popular sentiment.
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