Unter dem großen Himmel: Pitt Kreuzberg - The Story of an Imperturbable Man
(eBook)

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Published
Rhein-Mosel-Verlag, 2012.
Format
eBook
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Language
German
ISBN
9783898018166

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Citations

APA Citation, 7th Edition (style guide)

Ute Bales., & Ute Bales|AUTHOR. (2012). Unter dem großen Himmel: Pitt Kreuzberg - The Story of an Imperturbable Man . Rhein-Mosel-Verlag.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ute Bales and Ute Bales|AUTHOR. 2012. Unter Dem Großen Himmel: Pitt Kreuzberg - The Story of an Imperturbable Man. Rhein-Mosel-Verlag.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ute Bales and Ute Bales|AUTHOR. Unter Dem Großen Himmel: Pitt Kreuzberg - The Story of an Imperturbable Man Rhein-Mosel-Verlag, 2012.

MLA Citation, 9th Edition (style guide)

Ute Bales, and Ute Bales|AUTHOR. Unter Dem Großen Himmel: Pitt Kreuzberg - The Story of an Imperturbable Man Rhein-Mosel-Verlag, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID267aa785-33d8-a36d-bf63-cd7b08d738aa-ger
Full titleunter dem großen himmel pitt kreuzberg the story of an imperturbable man
Authorbales ute
Grouping Categorybook
Last Update2024-03-06 20:39:26PM
Last Indexed2024-04-17 02:34:17AM

Hoopla Extract Information

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    [synopsis] => The 19-year-old Pitt Kreuzberg applied to the Düsseldorf Art Academy in the summer of 1907 and was accepted. He has a wealthy family behind him; his great-grandfather was the discoverer of the world-famous Apollinaris spring in Ahrweiler. In Düsseldorf, Pitt found himself in a group of artists who rebelled against the traditional, especially against the true-to-life rendering in painting, as taught at the academy. In the artists 'houses and in Johanna Ey's bakery, an artists' meeting place, it will soon be about more than just depicting. Brightly shining areas of color stand edge to edge, forming strong contrasts: blue human corpses against a red forest, orange trees against a yellow sky. Wanting to fathom, grasp and represent the essence of the world becomes an idea that also supports Pitt.
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