The Girl with the Leica
(eBook)

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Published
Europa Editions, 2019.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781609455484

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Citations

APA Citation, 7th Edition (style guide)

Helena Janeczek., & Helena Janeczek|AUTHOR. (2019). The Girl with the Leica . Europa Editions.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Helena Janeczek and Helena Janeczek|AUTHOR. 2019. The Girl With the Leica. Europa Editions.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Helena Janeczek and Helena Janeczek|AUTHOR. The Girl With the Leica Europa Editions, 2019.

MLA Citation, 9th Edition (style guide)

Helena Janeczek, and Helena Janeczek|AUTHOR. The Girl With the Leica Europa Editions, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID3999fa0e-3914-8f0d-87b5-d412194f0a16-eng
Full titlegirl with the leica
Authorjaneczek helena
Grouping Categorybook
Last Update2024-04-26 21:07:31PM
Last Indexed2024-04-26 21:09:50PM

Hoopla Extract Information

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    [synopsis] => The life of a female war photographer killed in action is told by three of her friends in this biographical novel by the author of Bloody Cow.
 
 Gerda Taro was a German-Jewish war photographer, anti-fascist activist, artist, and innovator who, together with her partner, the Hungarian Endre Friedmann, was one half of the alias Robert Capa, widely considered to be the twentieth century's greatest war and political photographer. She was killed while documenting the Spanish Civil War and tragically became the first female photojournalist to be killed on a battlefield.
 
 August 1, 1937, Paris. Taro's twenty-seventh birthday, and her funeral. Friedmann leads the procession. He is devastated, but there are others, equally bereft, with him: Ruth Cerf, Taro's old friend from Leipzig with whom she fled to Paris; Willy Chardack, ex-lover; Georg Kuritzkes, another lover and a key figure in the International Brigades. They have all known a different Gerda, and one who is at times radically at odds with the heroic anti-fascist figure being mourned by the multitudes...
 
 Another character in the novel is the era itself, the 1930s, with economic depression, the rise of Nazism, hostility towards refugees in France, the century's ideological warfare, the cultural ferment, and the ascendency of photography as the age's quintessential art form.
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