Theatre
(eBook)

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Published
Farrar, Straus and Giroux, 2010.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781429931786

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Citations

APA Citation, 7th Edition (style guide)

David Mamet., & David Mamet|AUTHOR. (2010). Theatre . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

David Mamet and David Mamet|AUTHOR. 2010. Theatre. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

David Mamet and David Mamet|AUTHOR. Theatre Farrar, Straus and Giroux, 2010.

MLA Citation, 9th Edition (style guide)

David Mamet, and David Mamet|AUTHOR. Theatre Farrar, Straus and Giroux, 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID34c0c68c-8ee6-1198-795d-51a526687674-eng
Full titletheatre
Authormamet david
Grouping Categorybook
Last Update2024-05-16 02:01:45AM
Last Indexed2024-05-21 02:47:58AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 15, 2024
Last UsedJun 15, 2024

Hoopla Extract Information

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    [synopsis] => If theatre were a religion, explains David Mamet in his opening chapter, "many of the observations and suggestions in this book might be heretical." As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow calls for nothing less than the death of the director and the end of acting theory. For Mamet, either actors are good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teachers, and directors who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself.
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