Metro Stop Dostoevsky: Travels in Russian Time
(eBook)

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Published
Farrar, Straus and Giroux, 2003.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781429998833

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Citations

APA Citation, 7th Edition (style guide)

Ingrid Bengis., & Ingrid Bengis|AUTHOR. (2003). Metro Stop Dostoevsky: Travels in Russian Time . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ingrid Bengis and Ingrid Bengis|AUTHOR. 2003. Metro Stop Dostoevsky: Travels in Russian Time. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ingrid Bengis and Ingrid Bengis|AUTHOR. Metro Stop Dostoevsky: Travels in Russian Time Farrar, Straus and Giroux, 2003.

MLA Citation, 9th Edition (style guide)

Ingrid Bengis, and Ingrid Bengis|AUTHOR. Metro Stop Dostoevsky: Travels in Russian Time Farrar, Straus and Giroux, 2003.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID7976ff79-6a81-1de3-38a4-b22e2c41f572-eng
Full titlemetro stop dostoevsky travels in russian time
Authorbengis ingrid
Grouping Categorybook
Last Update2024-05-16 02:01:45AM
Last Indexed2024-05-21 03:36:35AM

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    [synopsis] => A Russian American writer catapults herself into the maelstrom of Russian life at a time of seismic change for both.
 
 The daughter of Russian émigrés, Ingrid Bengis grew up wondering whether she was American or, deep down, "really Russian." In 1991, naïvely in love with Russia and Russian literature, she settled in St. Petersburg, where she was quickly immersed in "catastroika," a period of immense turmoil that mirrored her own increasingly complex and contradictory experience.
 
 Bengis's account of her involvement with Russia is heightened by her involvement with B, a Russian whose collapsing marriage, paralleling the collapse of the Soviet Union, produces a situation in which "anything could happen." Their relationship reflects the social tumult, as well as the sometimes dangerous consequences of American "good intentions." As Bengis takes part in Russian life-becoming a reluctant entrepreneur, undergoing surgery in a St. Petersburg hospital, descending into a coal mine-she becomes increasingly aware of its Dostoevskian duality, never more so than when she meets the impoverished, importuning great-great-granddaughter of the writer himself. Beneath the seismic shifting, remains a centuries-old pre-occuption with "the big questions": tradition and progress, destiny and activism, skepticism and faith. With its elaborate pattern of digression and its eye for the revealing detail, Bengis's account has the hypnotic intimacy of a late-night conversation in a Russian kitchen, where such questions are perpetually being asked.
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