Public Art and the Fragility of Democracy: An Essay in Political Aesthetics
(eBook)

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Columbia University Press, 2018.
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eBook
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Language
English
ISBN
9780231547369

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APA Citation, 7th Edition (style guide)

Fred Evans., & Fred Evans|AUTHOR. (2018). Public Art and the Fragility of Democracy: An Essay in Political Aesthetics . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Fred Evans and Fred Evans|AUTHOR. 2018. Public Art and the Fragility of Democracy: An Essay in Political Aesthetics. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Fred Evans and Fred Evans|AUTHOR. Public Art and the Fragility of Democracy: An Essay in Political Aesthetics Columbia University Press, 2018.

MLA Citation, 9th Edition (style guide)

Fred Evans, and Fred Evans|AUTHOR. Public Art and the Fragility of Democracy: An Essay in Political Aesthetics Columbia University Press, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID902c418f-b681-44d9-ca79-7c43206ad55f-eng
Full titlepublic art and the fragility of democracy an essay in political aesthetics
Authorevans fred
Grouping Categorybook
Last Update2024-05-16 02:01:45AM
Last Indexed2024-06-26 04:07:41AM

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    [synopsis] => Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency.

In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
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    [subtitle] => An Essay in Political Aesthetics
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