Owen Barfield: Philosophy, Poetry, and Theology
(eBook)

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Published
Wipf and Stock Publishers, 2016.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781498238731

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Citations

APA Citation, 7th Edition (style guide)

Michael Vincent Di Fuccia., & Michael Vincent Di Fuccia|AUTHOR. (2016). Owen Barfield: Philosophy, Poetry, and Theology . Wipf and Stock Publishers.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Michael Vincent Di Fuccia and Michael Vincent Di Fuccia|AUTHOR. 2016. Owen Barfield: Philosophy, Poetry, and Theology. Wipf and Stock Publishers.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Michael Vincent Di Fuccia and Michael Vincent Di Fuccia|AUTHOR. Owen Barfield: Philosophy, Poetry, and Theology Wipf and Stock Publishers, 2016.

MLA Citation, 9th Edition (style guide)

Michael Vincent Di Fuccia, and Michael Vincent Di Fuccia|AUTHOR. Owen Barfield: Philosophy, Poetry, and Theology Wipf and Stock Publishers, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDde8c4ec3-8c69-4db6-d8c4-6d09c12784a6-eng
Full titleowen barfield philosophy poetry and theology
Authorfuccia michael vincent di
Grouping Categorybook
Last Update2024-05-16 02:01:45AM
Last Indexed2024-06-26 05:08:53AM

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    [synopsis] => In this book Michael Di Fuccia examines the theological import of Owen Barfield's poetic philosophy. He argues that philosophies of immanence fail to account for creativity, as is evident in the false shuttling between modernity's active construal and postmodernity's passive construal of subjectivity. In both extremes subjectivity actually dissolves, divesting one of any creative integrity. Di Fuccia shows how in Barfield's scheme the creative subject appears instead to inhabit a middle or medial realm, which upholds one's creative integrity. It is in this way that Barfield's poetic philosophy gestures toward a theological vision of poiēsis proper, wherein creativity is envisaged as neither purely passive nor purely active, but middle. Creativity, thus, is not immanent but mediated, a participation in being's primordial poiēsis.
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