The Don Giovanni Moment: Essays on the Legacy of an Opera
(eBook)

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Published
Columbia University Press, 2006.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780231510646

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Citations

APA Citation, 7th Edition (style guide)

Lydia Goehr., Lydia Goehr|AUTHOR., & Daniel Herwitz|AUTHOR. (2006). The Don Giovanni Moment: Essays on the Legacy of an Opera . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Lydia Goehr, Lydia Goehr|AUTHOR and Daniel Herwitz|AUTHOR. 2006. The Don Giovanni Moment: Essays On the Legacy of an Opera. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Lydia Goehr, Lydia Goehr|AUTHOR and Daniel Herwitz|AUTHOR. The Don Giovanni Moment: Essays On the Legacy of an Opera Columbia University Press, 2006.

MLA Citation, 9th Edition (style guide)

Lydia Goehr, Lydia Goehr|AUTHOR, and Daniel Herwitz|AUTHOR. The Don Giovanni Moment: Essays On the Legacy of an Opera Columbia University Press, 2006.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDa02579a5-9ce8-48b3-076e-88f11830c4c6-eng
Full titledon giovanni moment essays on the legacy of an opera
Authorgoehr lydia
Grouping Categorybook
Last Update2024-05-16 02:01:45AM
Last Indexed2024-06-26 04:20:50AM

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    [synopsis] => Mozart's Don Giovanni is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism. The Don Giovanni Moment is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the opera's impact on the philosophical visions of Kierkegaard, Goethe, and Williams and its influence on the literary and dramatic works of Pushkin, Hoffmann, Mörike, Byron, Wagner, Strauss, and Shaw. Through a close and careful analysis of Don Giovanni's literary and philosophical reception and its many appropriations, rewritings, and retellings, these contributors treat the opera as a vantage point from which theory and philosophy can reconsider romanticism's central themes. As lively and passionate as the opera itself, these essays continue the spirited debate over the meaning and character of Don Giovanni and its powerful legacy. Together they prove that Mozart's brilliant artistic achievement is as potent and relevant today as when it was first performed two centuries ago.
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